THE CITY ALWAYS WINS
Coming Summer 2017
From the communal highs of night battles against the police to the solitary lows of defeated exile, The City Always Wins is a novel from the front line of a revolution. Mariam and Khalil move through Cairo’s political underground, their lives burning with political purpose, their city alive in open revolt, their choices heavy with futures unknown. Their revolution will fail - but can one ever succeed?
Watch the trailer.
“From the chaos and torment of a revolution, and the perpetual struggle with despotism, Omar Robert Hamilton has drawn a novel of great emotional and intellectual power. The City Always Wins is a rare fiction that reminds us, with its wisdom about violence and inequality, grief and loss, how politics is for many today a way to live - and die.” PANKAJ MISHRA
“Few writers could capture the frenetic speed of an Internet-fuelled uprising alongside the time-stopping corporeal reality of bullet-ridden bodies, all while never losing sight of the love that powered Egypt’s revolutionary moment. Omar Robert Hamilton can do all that and more. Crossing borders and generations, he brings us into the movement’s effervescent hope and its crushing heartbreak, probing timeless questions about what the living owe to the dead. Unbearable. Unmissable. A dazzling debut.” NAOMI KLEIN
“I finished The City Always Wins with fascination and admiration. It gives a picture of the inside of a popular movement that we all saw from the outside, in countless news broadcasts and foreign-correspondent reports, a picture so vivid and powerful that it gives a passionate life and reality to what might have been perceived only as abstract principles. A thousand vivid details print themselves on the reader’s memory: it will be a long time before we read anything so skilfully brought to life.” PHILIP PULLMAN
“Omar Hamilton brings vividly to life the failed revolution of 2011 on the streets of Cairo, in all its youthful bravery and naive utopianism.” JM COETZEE
"Fucking incredible, and this is without hyperbole. Hamilton has created both an unsparing psychological portrait of a generation - a generation who could just about see a new world through the tear gas - and a poetic, searing depiction of a revolution betrayed.” MOLLY CRABAPPLE